[Member] Honda Takamasa, Cloud ten Member Profile Updated

October 01, 2026 • By TEGAROOM

Honda Takamasa
 Honda Takamasa

CLOUDTENPEDIA - Honda Takamasa (本田 高優, Honda Takamasa, born February 21) is a Japanese idol, singer, and a member of the theater boy group Cloud ten, a 30-member male artist collective produced by Yasushi Akimoto. He is known for his distinct set of personal interests, which include the study of orangutans and the traditional Japanese arts of Nankin Tamasudare and flower arrangement, as well as for his role in the group's dedicated theater performances in Odaiba, Tokyo.

Background and Early Life

Honda Takamasa was born on February 21 in Tochigi Prefecture, Japan. He stands 175 cm tall and has blood type B. Prior to his entertainment career, he was a university student with no prior experience in the idol industry, a background he has described as completely ordinary. His entry into the world of professional performance came through a nationwide audition held in the summer of 2025, which sought to create a new male idol group under the general production of Yasushi Akimoto.

Honda is noted for possessing a uniquely varied set of skills and hobbies that distinguish him from typical idol performers. His special skills include Nankin Tamasudare, a traditional Japanese street performance art involving the manipulation of a bamboo blind into various shapes, and Kadō (flower arrangement) in the Ikenobō school. His personal interests are equally distinctive, encompassing the research of orangutans and a pursuit he calls "kiki-ichigo," or "tasting different varieties of strawberries". These idiosyncratic traits have become a part of his public persona within the group.

Cloud ten

Cloud ten (クラウドテン, Kuraudo Ten) is a Japanese theater boy group formed in 2026. The group is a joint project between Y&N Brothers, Mitsui Fudosan Group, and Tokyo Dome Corporation, with Yasushi Akimoto serving as the general producer. The group's name is derived from the concept of "Cloud nine," a phrase denoting a state of perfect happiness, with "ten" representing a level beyond that ultimate bliss. The project was conceived as a new form of male artist development, centered around regular performances at a dedicated venue rather than through traditional music releases alone.

The group consists of 30 members who were selected through a nationwide audition process and were officially unveiled on April 23, 2026. Honda Takamasa is one of these founding members. The members are divided into three rotating teams for performance purposes, and Honda is part of the third team that made its theater debut on August 4, 2026. Other notable members of the group include Kitanagi Haru, Fukuma Shin, Fukami Shuto, and Sato Ryusei, among others.

Cloud ten THEATER

A central feature of the Cloud ten project is its dedicated performance venue, Cloud ten THEATER. The theater is located on the 6th floor of DiverCity Tokyo Plaza in Odaiba, Tokyo, and has a seating capacity of approximately 300. It officially opened on August 2, 2026, marking a significant investment in the group's long-term development as a permanent performance base. The opening of the theater represents a continuation of Yasushi Akimoto's philosophy of creating "idols you can meet," a concept he previously applied with great success to female idol groups.

The theater's opening was preceded by a series of unveiling events that began in April 2026, allowing fans to see the members for the first time. The inaugural theater performance, titled "We're Cloud ten," featured the group's original songs and was structured to showcase the distinct personalities and talents of each member. Yasushi Akimoto himself reportedly gave the opening performance a perfect score, expressing confidence in the project's potential.

Career and Activities

Honda Takamasa's activities as a member of Cloud ten began in earnest with the group's unveiling in April 2026. The initial revelation of the group was an emotional experience for Honda, who has stated that he was genuinely moved when he first saw fans holding uchiwa fans and boards bearing his name. This moment marked the transition from a period of intensive training and auditions to public performance.

In his role within Cloud ten, Honda has participated in the group's theatrical performances, which form the core of their activities. The third team, to which he belongs, performed a 16-song set that included original numbers such as "Bokutachi no Jiyū" (Our Freedom) and "Tsugi ni Aeru Hi Made" (Until the Day We Meet Again). During the performances, Honda has engaged in talk segments where he shares his unique hobbies and interests, contributing to the group's atmosphere of diverse and individualistic personalities. He has also participated in media interviews and promotional activities, including a notable joint interview with fellow members Kitanagi Haru and Fukuma Shin for SPA! magazine.

Public Image and Personality

Honda Takamasa is often characterized in Japanese media as a "healing-type orthodox prince" (癒し系の正統派王子), a description that highlights his gentle demeanor and conventionally attractive appearance, which have contributed to his appeal among female fans. This public image contrasts with his unconventional interests, creating a distinctive personal brand within the group. His interest in orangutan research and his skill in traditional performance arts are frequently highlighted in profiles and interviews as evidence of his unique character.

He has cited the television personality and fashion icon Anmika (アンミカ) as a personal role model, expressing admiration for her unique way with words and her ability to energize those around her. This admiration suggests a desire to develop a similarly impactful and positive public presence. Honda has also noted that before joining Cloud ten, he considered himself to be the most serious and conventional person among his peers, and he continues to find it somewhat puzzling that others perceive him as idiosyncratic.

Artistic Goals and Ambitions

Honda Takamasa's stated professional goals are closely tied to the success of the Cloud ten THEATER and the broader trajectory of the group. In the immediate term, he has expressed a desire to make the theater performances extremely popular, with the hope of welcoming large audiences every day and delivering a performance that offers "a different kind of goodness" each time. He views his own growth as a performer as a key strength, aspiring to deliver performances in which audiences can discover new aspects of his abilities with each viewing.

For the longer term, Honda has articulated a major ambition: to perform at Tokyo Dome. This goal is shared by other members of Cloud ten, who have spoken of their collective ambition to reach the prestigious venue through "gritty" and determined effort. The existence of a dedicated theater is positioned as a crucial stepping stone toward achieving such large-scale success, allowing the group to build a dedicated fanbase through consistent live performances before advancing to larger stages.

Reception and Significance

The launch of Cloud ten and the opening of its dedicated theater have been treated as significant developments in the Japanese entertainment landscape. The project represents a substantial bet on a new model for male idol groups, one that prioritizes live theatrical performance and sustained fan engagement over rapid commercial success through music sales. Honda Takamasa, as one of the 30 selected members, is part of a cohort that Yasushi Akimoto has described as "rough diamonds" (原石) possessing the potential to achieve great things.

For Honda personally, his participation in Cloud ten represents a dramatic shift from his previous life as an ordinary university student. His journey from a nationwide audition to performing on a dedicated stage in Odaiba is emblematic of the project's promise of creating new stars from unexpected backgrounds. As the group continues its theater performances and seeks to expand its reach, Honda Takamasa's distinctive profile—combining traditional Japanese arts, unusual academic interests, and a gentle public persona—positions him as a unique figure within the contemporary Japanese idol landscape.

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